Selected Public Arts

Various locations

Public art is art that is accessible to everyone, often displayed in public spaces and reflecting the values and culture of a community. It can enliven areas, invite reflection, or offer spaces for contemplation. Public art comes in many forms, such as sculptures, murals, installations, and performances.

I have been commissioned both domestically and internationally to create a range of public art projects, contributing to spaces that engage and inspire diverse audiences.

Luk Nimits 2020

Monash University's Chancellery Building, Melbourne

This architectural public art piece was commissioned by the Chancellery at Monash University, Clayton Campus, Melbourne.

I designed the piece to create a visual connection between the Western university and Buddhist temples, both are places of learning, through a golden column of spheres. Golden surfaces are prominent in Buddhist architecture, and my column also references Luk Nimits—round stones embedded in the ground to protect temples from negative energies.

Golden surfaces are prominent in Buddhist architecture, and my column also references Luk Nimits, round stones embedded in the ground to protect temples from negative energies.

The seven spheres of the column represent seven virtues: longevity, wealth, fortune, honor, health, well-being, and happiness, imbuing the space with symbolic meaning.

Designed by Vipoo Srivilasa
Produced by UAP

Icon Siam 2018

Icon Siam, Bangkok

For my major commission at ICONSIAM, a prominent shopping destination in Bangkok, I wanted to celebrate the rich tradition of Thai handicrafts.

The installation features seven large ceramic sculptural hands under the theme Siam Handmade. Each hand represents a traditional Thai craft skill passed down through generations, including the carpenter, therapist, sculptor, smith, weaver, painter, and gastronomer.

Designed by Vipoo Srivilasa
Produced by Chuanlhong Ceramics

Kiko 2016

Parramasala Festival, Paramatta, NSW

I was commissioned to create a mascot for the Parramasala Festival, one of the largest multicultural festivals in New South Wales.

The result was Kiko, a seven-metre-high inflatable sculpture decorated with my bold blue and white illustrations. At night, the sculpture glowed brightly, symbolizing the vibrancy of cultural exchange.

The blue and white color palette, rooted in the Islamic world and Asia and embraced by Europe and the Americas, is globally recognized in ceramics.

I incorporated the 'V' hand gesture, often seen in selfies, to represent a peaceful coming together of people. Through this design, I aimed to unite different cultures visually.

Totems Project 2007-12

Edwina Corlette Gallery, Brisbane

During my Artist in School residency, I worked with students to create a series of blue and white porcelain totems.

Using hand-forming and traditional blue and white painting techniques, this collaborative project gave students the chance to express their cultural backgrounds and identities in a shared group setting. It was a rewarding experience to guide them in exploring their creativity while building something meaningful together.

Creation is a collaboration between Sacred Heart Primary students, Francesca Frederic, Visual Arts Specialist Teacher and Vipoo Srivilasa.

Continent is a collaboration between Scotch College Junior students, Priscilla Williams, Head of Junior Art and Vipoo Srivilasa 

Friendship Stones is a collaboration between Presbyterian Ladie's College students, Robin & Leigh Pitt, Head of the Art and Vipoo Srivilasa. 

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Roop-Rote-Ruang 2008